Keep You Close by Karen Cleveland, paperback, 400 pages, £7.99, Waterstones
This novel is about work/life balance and what happens when they intertwine. Steph works for the internal investigations department in the FBI whilst her son is finishing his studies before heading off to college/university. However it takes just one knock at the door to flip everyone’s life upside down.
Background
During the novel there are several flashbacks of Steph’s life before the FBI. Although this information is vital to know, I found that this distracted my attention from the original plot I was trying to follow. This could have been resolved by using chapters to represent the past and present of Steph’s life. The constant change of flashbacks within chapters began to hinder the pace of the novel and ultimately my interest.
Characterisation
Cleveland can create some fantastics characters, especially in her first novel Need to Know. However the characters in Keep You Close needed more personality. I didn’t like a few of the main characters, particularly Steph as I felt like she had too many flaws. My favourite character was her son, however I felt like his background and personality was overlooked. This could however emphasise what Steph see and believes. Therefore questioning the readers own judgment of Steph’s son.
Prequel or sequel?
My biggest issue with Keep You Close is how it has tarnished my memory of Cleveland’s first novel. I loved Need to Know and was over the moon to find out that previous characters were in this book too. However I was crestfallen once I had read the epilogue. For this reason I would strongly advise reading this book first and then Need to Know. Otherwise, don’t read the epilogue as it made me as a reader lose hope and feel a defeatist.
If you love twists and turns regardless of characterisation then you may find this book a real head turner. You can purchase Keep You Close here.
The language that Arden has used is descriptive when it needs to be and lyrical, throughout. The lyrical prose blends itself well to the voice of Vasilisa as it expresses a sense of naivety and purity. The description in the novel appears very similar to that of Jessie Burton’s The Miniaturist. Both texts describe with their senses and it was rather refreshing to read about the winter-king in the peak of summer. Arden’s language also demonstrates her extensive research into Russian fairytales and traditional folklore. It is for this reason that this piece could be described as authentic. Each page oozes droplets of Russian culture whilst allowing the reader to breeze through the novel.
Charlotte Anne Barker 