Book Review: The Hating Game by Sally Thorne

The Hating Game by Sally Thorne, Harper Collins, Paperback, 384 pages, Waterstones, £8.99

There’s a very fine line between love and hate and Sally Thorne’s The Hating Game, shows just how similar these emotions can be.

Synopsis

The Hating Game follows the gate between colleagues Lucy Hutton and Joshua Templeman. As soon as we read about a new job opening at Gammon & Bexley Publishing, the readers are plunged into the hating fest whilst watching Lucy and Josh compete for the Creative Director position.

Review

One of the best features of The Hating Game is Sally Thorne’s use of dialogue. I often found myself reciting some of the discussions between Lucy and Josh because they were just so good. I also couldn’t help belly-laughing at some scenes and re-read them a few times before continuing with the novel.

One element I was pleased to read was Thorne’s use of sarcasm between Josh and Lucy. Sarcasm can be really challenging to write. Not because each part of the joke needs to be written in order for it to be understood, but for the simple fact that it is very easy to misinterpret sarcasm. The sarcasm used between Lucy and Josh makes for excellent banter between the characters.

Another striking feature within this book is the characterisation. Whether Lucy and Josh are arguing, flirting, competing or even doing their job in the office, you can tell who is who, just by their actions. The phrase show don’t tell applies significantly to Thorne’s characterisation and provides its readers with a lesson on creating memorable characters.

The emotional connection that Thorne creates between the characters and the readers is truly magical. Whilst I would love to read a sequel, I would hate – pardon the pun – for the book to go in a different direction than it has done.


My only criticism is that I felt the ending was rather abrupt. I understand that this is a romance novel but I became so invested in the characters that I’d have liked to know a little bit more about their ending in relation to their future prospects.

Although I finished this book just before my holiday, I would thoroughly recommend this book as a holiday read. I was kicking myself afterwards, wishing I’d read it by the pool!

The Hating Game is a feel-good and uplifting read that I can guarantee you’ll want to read again, as soon as you’ve finished.

Book Rating: 4.5/5

Don’t believe me? Grab a copy here and see for yourself!

Tripwire by Lee Child

Tripwire by Lee Child, Paperback, Transworld Publishers, 544 pages, £8.99, Waterstones.

Plot

The book begins in a sunny Key West, when a man called Costello is looking for Reacher. After retracing Costello’s movements, Reacher finds himself returning to his army roots, in search for a missing soldier. Tripwire focuses mostly on Jack Reacher’s army life and what his possible future may look like. A drifter can’t drift forever, can they?

Narrative

Tripwire follows Reacher in the hopes of finding a missing soldier whilst the reader is simultaneously observing Chester Stone’s lifestyle and failing business. The book alternates between Reacher and Chester’s situation, in order to set the scene for the reader that will eventually overlap these narratives together. The pace of both narrative scenes quicken at the same time until reader is found racing to the finish line with Reacher on the lookout.

Review

This is the first book in the Reacher series I’ve read and it definitely won’t be my last. As a writer myself, I find his use of structure intriguing; how he creates tension and suspense with no nonsense language is mesmerizing.

One of the most impressive elements of this book, is Lee Child’s attention to detail. Child’s knowledge of guns and, in particular, Fighter planes, are so accurate that you would almost expect him to have flown a Fighter jet or have used a few of the guns he describes so well. The specificality of his writing appears to be exactly what the reader needs to allow themselves to be immersed in Reacher’s world.

Overall, I would recommend this book to anyone who enjoys action and adventure in novels. Tripwire is a great read for someone who wishes to get into reading without the flowery language that can often cloud a great narrative. Lee Child’s writing is raw and extremely well written.

Similar Writers

Although not many writers can compare to his writing style, I would recommend John Grisham’s Camino Island, as this also begins in the Florida state. Both writers create legal thrillers and have a similar pacing style.

Another writer that could be compared to Lee Child, would be James Patterson. The crimes within Patterson’s books mirrors some of Lee Child’s books, if a dark theme is your theme of choice.

You can buy Tripwire by Lee Child by clicking here

The Last House on Needless Street by Catriona Ward

The Last House on Needless Street, Catriona Ward, Hardback, 400 pages, Profile Books Ltd, Waterstones, £7.49

The Last House on Needless Street takes place in an ordinary house on an ordinary street. However what happens in this street is anything but ordinary.

The plot focuses on the disappearance of Lulu, also known as Little Girl with Popsicle, eleven years ago at a lake near Ted Bannerman’s house. Ted Bannerman was always a prime suspect in the case but was never arrested. Eleven years later and Ted is still perceived to be the prime suspect in the case.

The narrative follows four POV, Ted, Lauren, Olivia and Dee, through the form of chapters. Each POV is pivotal to the mystery of the missing girl by the lake. Not only do these narratives help us uncover what has happened to Little Girl with Popsicle, but their distinct voices and attitudes highlight Catriona Ward’s talent for characterisation.

Before reading The Last House on Needless Street, you must banish all predictions and assumptions of the novel you’re expecting to read and focus on the book in the present. This novel has many twists with many secrets unfolding like a spring flower ready to bloom.

Throughout the novel we learn of Ted’s loneliness and the depths he’s willing to go for companionship. In some areas Ward’s novel echoes the loneliness of the creature in Shelley’s Frankenstein, who seeks affection but is afraid of the outcome.

The Last House on Needless Street may leave you with challenging views and conflicting opinions. Regardless of a like or dislike for this book, it cannot be ignored that Catriona Ward’s writing is gripping and well-considered on a topic so delicate. Due to some complexities, the novel has been considered to fit the horror genre, however if you like psychological thrillers, I would urge you to consider a jump into this book, as it provides areas accomodating both genres.

If you would like to read the book, you can find it here.

For more reviews head over to my instagram page @cbarkerwriting for daily updates.

The Heights by Louise Candlish

The Heights by Louise Candlish, Hardback, 448 Pages, £12.99, Waterstones

The very first book I’ve read by Louise Candlish but definitely not the last.

The blurb itself made me wanting answers before I’d even received the ARC. Imagine bumping into someone you thought to be dead? Especially when you are the one who tried to make it happen. This concept alone sent shivers down my spine – such an intriguing predicament.

Because of this gripping blurb, I began reading, not knowing who I should be sympathising with and as the novel progressed, it appeared that everyone had that little bit of dirt under their nails.

Throughout this novel there were so many twists, gradually increasing the intensity until the very last page. Admittedly, I’d have liked one less twist, although I guess that could depend on the reader’s morals.

The underlying issues of grieving for you child’s accidental death, was written in a way that felt sensitive, yet understanding, as the reader watches Lucas’ death affect many relatives differently.

I would definitely recommend this book to anyone who likes psychological thrillers.

This was the first novel I’ve read by Louise Candlish but definitely not my last.

Magpie by Elizabeth Day

Magpie by Elizabeth Day, Hardback, 256 pages, HarperCollins, Waterstones, £14.99

Magpie does not follow the whimsical tune associated with magpies. Instead Elizabeth Day has used other associations with magpies, to help tell this twisted tale.

Magpie begins through the point of view of Marisa, a creative individual who illustrates children’s stories for a living. The reader is soon introduced to Jake and Kate, as they all live together. Magpie is about how their lives weave into each other and how a very complicated love triangle can occur in a very unexacting way. If you were looking for a romance novel however, you would be mistaken with this novel. Magpie tackles women’s issues within family roles and questions what it is that makes a women, a mother.

Magpie is written in three parts, to allow the reader to see Marisa and Kate’s point of view in relation to what’s happening inside their house. The point of views work well in this novel as it gives an insight into Marisa and Kate’s background. The first part of the novel was quite steady and I found it quite tricky to read. It was only at the end of part one that my interest began to peak. The writing in part one seemed a little chaotic, however I believe this to be intentional to suit where the plot is going. For this reason I applaud Day in taking meticulous care with her narrative.

Elizabeth Day appears to have strong female leads within Magpie. This consists of Marisa, Kate and Jake’s mother, Annabelle. Each character is strong with survival instincts, however these traits are expressed differently throughout Day’s novel. As a result, readers are able to feel connected to one of these character’s, whilst the remaining women will likely remind them of someone they know.

Day’s novel is very calculating, gripping and brings to light the depths that women will go to for motherhood. A compelling read.

Magpie by Elizabeth Day is out September 2021.

Pre-order a signed copy at Waterstones today.

Star rating: 3.5/5

A Good Girl’s Guide to Murder by Holly Jackson

Holly Jackson, A Good Girl’s Guide to murder, Paperback, 448 pages, Waterstones, £6.49

Holly Jackson’s debut novel is stirring things up in YA Fiction. Holly’s debut is about Pippa Fitz-Amobi, a grade-A student, who is trying to prove a previous student’s innocence in a murder trial, as her independent project for university. Soon Pippa begins learning more about the truths that lie just at her doorstep.

The format of A Good Girl’s Guide to Murder is very playful for the reader as they are shown snippets of Pippa’s investigation. This itself allows the reader to feel like they are solving the case with Pippa.

The structure of the novel is split into three parts, however, the pace appears to become much more steady as a result. Part 1 seemed initially set up to introduce the characters, however if this was it’s primary focus, it could be questioned as to whether the pace needs to be a touch faster.

When conflict occurs, the readers gain an insight into the characters’ strength and flaws. This act in itself makes them more realistic and relatable to the reader. It is this particular element that seemed to be missing at the beginning of the novel.

Jackson’s characters overall however, are striking and very easy to picture in your mind. Furthermore when her characters are faced with conflict, in parts two and three, they become as believable as your best friend.

Although I was not entirely gripped from the beginning, I would still recommend her books to teens looking for excitement and adventure. As a teenager, I know I would’ve loved this book. Holly’s writing is well thought-out, clear, funny and imaginative – everything sixteen year old me would have devoured in a book.

One by One by Ruth Ware

One by One by Ruth Ware, Hardback (signed), 352 pages, Waterstones, £12.99

One by One is a cosy novel, perfect for those winter nights. The novel begins by following two characters and their journeys that bring them to the luxury cabin, in St. Antoine. After an avalanche cuts the guests off from the village below, it’s not soon after when guests keep disappearing one by one.

POV

Interestingly Ruth Ware uses several perspectives in One by One. Readers follow the perspective of Erin, the chalet host and Liz, a shareholder in a tech company. Having two perspectives is a new structure for Ware’s novels. However, these perspectives are vital to the plot and the development of her characters. Both perspectives are needed to demonstrate a staff’s point of view, as well as a guest in the lodge. As the novel unfolds and clues are given to the reader, he dual perspectives are used at times to compliment the plot twists. This is certainly a new technique that Ware has explored well within her writing of One by One.

Characterisation

Although Ware writes crime novels, I cannot help but acknowledge that my favourite characters hers are humorous. My favourite character in this novel was Danny. His passion and personality are clearly shown through his actions and dialogue. Danny adds a humorous touch to even the darkest of scenes. At times he can be relatable and sometimes acts like he is projecting the readers thoughts onto the page. Perhaps this is why his character is so amusing…

Location and Setting

A significant detail that continues to be shown in all of Ware’s novels, is her use of setting. Whether it’s Northumbrian forests, a stately home or the French Alps, Ware always uses her setting carefully and strategically. The Earth’s elements always seem to provide good ground for a crime novel and what better setting for One by One than the French Alps? Furthermore with the use of skiing jargon and a little bit of French sprinkled in, emphasises the research that has been taken to deliver such mesmerising landscapes and scenes.

As winter still settles amongst us and many of us are working from home, what could feel better than reading a novel with people stranded in one cabin that are beginning to get a little cabin fever.

Whether you find this read as escapism or as relatable is entirely up to you…

The Turn of The Key by Ruth Ware

The Turn of the Key by Ruth Ware, Vintage, paperback, 340 pages, £6.99, Waterstones

Their dream house will become her worst nightmare…

Their Dream will become her worst nightmare-2

The Turn of the Key is Ruth Ware’s latest novel set in the Scottish Highlands. Ruth Ware’s most recent novel is instantly familiar to her other novels as its presence and ending continues to pack a punch.

The Turn of the Key begins it’s journey similar to Ware’s previous novel, In a Dark, Dark Wood, as it begins with the main character explaining how she ended up in her current predicament. The novel begins with a job advert about a current nannying role and the main character jumps at the chance. However has the nanny potentially bit off more than she can chew?

Structure

The structure of this novel is very important to point out as it’s not the standard structure you would expect a novel to take. The Turn of the Key begins with the main character writing a letter to a barrister about her recent experiences at Heatherbrae House. The reader can instantly acknowledge that something has happened that they are not aware of, however it is clearly evident that the main character will explain everything in the letters to come. This already gives the reader a sense of intrigue as the reader begins to question whether they can be convinced of the main character’s situation. As the novel progresses the main character makes several points referring back to the prison and demonstrates an interesting narrative style. This in turn reminds the reader to be on edge and to trust no one.

Pace

The pace of this novel is very interesting as there are many subtle elements to be aware of.  Since the narrative keeps referring back to the main characters’s situation, the subtle elements become even more questioning and as a result keep the reader engaged and intrigued. I must warn the readers however to brace yourself in the last hundred pages as it can feel as if you are in a tornado. As the pace and tension begins to build, so does the plot twists. So much so that it feels as if poison ivy is twisting around each scene, making the reader feel glued to the page.

Characters

Each character in this novel seems carefully considered. This novel has three children and one teenager in the heart of the story and how each child reacts and adapts to the new nanny and scenarios they are put in is really realistic. All of the characters are relatable to some extent and the Scottish characters, Jean and Jack, have been written brilliantly. Ruth has not only created characters that are relatable but has also managed to get their dialects right too. I have relatives that currently reside in Edinburgh and when I listen to Jean and Jack talk, even when in Carn bridge, they all sound authentically Scottish. Nothing is thrown in to make the characters seem obviously Scottish but the subtle differences within their language and word choice, highlights exactly where they are in the UK.

Influences

I cannot ignore that there appears to be a potential influence from Alnwick Garden, which again can be seen through the potential location and some of the ‘facilities’ that Alnwick Garden has to offer. Once you begin to read this novel you will begin to see the connection emerge.

Their Dream will become her worst nightmare

Similar novels

Interestingly The Turn of the Key, reminds me of two of Ware’s previous novels, In a Dark, Dark Wood and The Death of Mrs.Westaway. The narrative structure in Ware’s current novel is similar to In a Dark, Dark Wood whereas the ghostly and haunting aspect of a manor house in The Death of Mrs. Westaway, mirrors the more contemporary isolated house of The Turn of the Key. Interestingly when considering the technology that is seen within this novel, I cannot help to compare the house setting of a similar feel to The Girl Before by JP Delaney. Both of these novels make the reader have to get to grips with technology fast, whilst self-policing in the process. Another book that identifies technology as a great driving force is George Orwell’s 1984, as the quote ‘Who controls the past controls the future,’ fits perfectly with Ruth Ware’s most recent novel.

If you find psychological thrillers gripping and enticing then this book is for you. I personally find self-policing an interesting topic and was unaware that this was considered in the book before reading. I personally love how Ruth Ware’s endings always seem satisfying and as soon as I picked the book up, I knew I would enjoy it. I throughly hope that The Turn of the Key has the same effect on you.

You can buy Ruth Ware’s latest novel The Turn of the Key here.

The Last by Hanna Jameson

The Last by Hanna Jameson, paperback, 400 pages, Waterstones, £8.99

Hanna Jameson’s The Last is an immersive read from beginning to end. This novel is unlike anything I have read before as it begins in a situation that no one else has ever experienced. The Last is about the last remaining guests at a hotel in Switzerland During their stay the work ends. The Last tries to exhibit what this situation would be like. Furthermore, with reason to believe a murderer is staying at the hotel – as a body is discovered – the novel begins to question whether morals have ended too.

Screen Shot 2020-07-01 at 15.11.49

Background

Throughout this novel it is clearly evident that Jameson has given ‘the end of the world’ many thought when creating this novel. Small luxuries we take for granted are stripped away from them in an instant, making us question what we could possible live with – or without. Furthermore with a hotel providing accommodation for a variety of cultures, The Last begins to showcase humanities beliefs to the bare bone.

Format

Interestingly the format of this novel isn’t your standard ‘chapter 1.’ The novel has been written by John, a professor from San Fransisco, who is currently attending a conference. Instead of chapters the novel follows a diary-like structure to recollect the days that have went by. This may not be everyone’s favourite structure style, however it is very suiting and adds a personal touch to the experience.

Themes

There are two main themes underlying in this novel. One is anthropology and the other is mystery. Throughout The Last, all of the characters are significantly different and thus show very different reactions to the end of the world and to each other. Although I found this very interesting, my main reason for reading this novel was due to a murder investigation in a very unusual circumstance.

As the novel progressed I was unsure how the novel was going to end as there was little progress made about the murder. Overall I felt let down as the murderer was only identified after their was a solution to morals and leadership. For this reason, I felt like the mystery element was an afterthought and made the suspense I had, flop like a pancake.

I am still pleased that I read The Last as I did enjoy the characters’ journey. However I would describe this novel as speculative fiction, as I felt misled with this novel being associated as a crime or thriller. If you like alternative fiction, think Lord of the Flies survival in the time of Brave New World, then you’re in for a treat.

Please give it a read and keep an open mind. It may not have been the type of book I wanted to read but I really enjoyed the change.

You can pick this book up here.

This book was received via NetGalley.

Keep you close by Karen Cleveland

Keep You Close by Karen Cleveland, paperback, 400 pages, £7.99, Waterstones

This novel is about work/life balance and what happens when they intertwine. Steph works for the internal investigations department in the FBI whilst her son is finishing his studies before heading off to college/university. However it takes just one knock at the door to flip everyone’s life upside down.

Screen Shot 2020-05-30 at 12.20.28

Background

During the novel there are several flashbacks of Steph’s life before the FBI. Although this information is vital to know, I found that this distracted my attention from the original plot I was trying to follow. This could have been resolved by using chapters to represent the past and present of Steph’s life. The constant change of flashbacks within chapters began to hinder the pace of the novel and ultimately my interest.

Characterisation

Cleveland can create some fantastics characters, especially in her first novel Need to KnowHowever the characters in Keep You Close needed more personality. I didn’t like a few of the main characters, particularly Steph as I felt like she had too many flaws. My favourite character was her son, however I felt like his background and personality was overlooked. This could however emphasise what Steph see and believes. Therefore questioning the readers own judgment of Steph’s son.

Prequel or sequel?

My biggest issue with Keep You Close is how it has tarnished my memory of Cleveland’s first novel. I loved Need to Know and was over the moon to find out that previous characters were in this book too. However I was crestfallen once I had read the epilogue. For this reason I would strongly advise reading this book first and then Need to Know. Otherwise, don’t read the epilogue as it made me as a reader lose hope and feel a defeatist.

If you love twists and turns regardless of characterisation then you may find this book a real head turner. You can purchase Keep You Close here.