The Last by Hanna Jameson

The Last by Hanna Jameson, paperback, 400 pages, Waterstones, £8.99

Hanna Jameson’s The Last is an immersive read from beginning to end. This novel is unlike anything I have read before as it begins in a situation that no one else has ever experienced. The Last is about the last remaining guests at a hotel in Switzerland During their stay the work ends. The Last tries to exhibit what this situation would be like. Furthermore, with reason to believe a murderer is staying at the hotel – as a body is discovered – the novel begins to question whether morals have ended too.

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Background

Throughout this novel it is clearly evident that Jameson has given ‘the end of the world’ many thought when creating this novel. Small luxuries we take for granted are stripped away from them in an instant, making us question what we could possible live with – or without. Furthermore with a hotel providing accommodation for a variety of cultures, The Last begins to showcase humanities beliefs to the bare bone.

Format

Interestingly the format of this novel isn’t your standard ‘chapter 1.’ The novel has been written by John, a professor from San Fransisco, who is currently attending a conference. Instead of chapters the novel follows a diary-like structure to recollect the days that have went by. This may not be everyone’s favourite structure style, however it is very suiting and adds a personal touch to the experience.

Themes

There are two main themes underlying in this novel. One is anthropology and the other is mystery. Throughout The Last, all of the characters are significantly different and thus show very different reactions to the end of the world and to each other. Although I found this very interesting, my main reason for reading this novel was due to a murder investigation in a very unusual circumstance.

As the novel progressed I was unsure how the novel was going to end as there was little progress made about the murder. Overall I felt let down as the murderer was only identified after their was a solution to morals and leadership. For this reason, I felt like the mystery element was an afterthought and made the suspense I had, flop like a pancake.

I am still pleased that I read The Last as I did enjoy the characters’ journey. However I would describe this novel as speculative fiction, as I felt misled with this novel being associated as a crime or thriller. If you like alternative fiction, think Lord of the Flies survival in the time of Brave New World, then you’re in for a treat.

Please give it a read and keep an open mind. It may not have been the type of book I wanted to read but I really enjoyed the change.

You can pick this book up here.

This book was received via NetGalley.

The Bone Clocks by David Mitchell

The Bone Clocks by David Mitchell

Sceptre Books, £7.99, 613 pages, paperback, 2014.

The Bone Clocks could be described as one of the most unique and original books I have read to date. The Bone Clocks takes its readers on a lifelong journey to show the ups and downs that life can offer. Mitchell’s novel changes perspective a few times to demonstrate how one person can impact so many other lives. Given the change of perspectives, it is evident at how much thought has gone into the creation of The Bone Clocks, as although the perspective may change, the main character does not.

Throughout the novel an undercurrent theme of science fiction can be seen through the main character’s, Holly Sykes’, potential of psychic ability. However this is no fortune telling, carrot reading or crystal ball kind of psychic. In fact this concept is brought up and discussed within the novel; providing its readers with answers throughout the Sykes’ journey.

At first I did find this book a bit difficult to read, purely because there are no chapters. Only sections and brief spaces between paragraphs give an indication as to where a good place to stop reading may occur. Having said that I thoroughly enjoyed reading it. As a reader I feel as if I have travelled through Sykes’ journey with her and have gotten to know her intricately. The understanding I now have of Holly is the equivalent to the understanding of a main character from a trilogy book-set.

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If you want to be whisked away by a character’s journey, then be prepared to be whisked away by The Bone Clocks.

Feminist Dystopias within Science Fiction

‘Only by considering dystopia as a warning can we as readers hope to escape such a dark future.’

This post will explore the depiction of feminist dystopias within the science fiction genre. Margaret Atwoods’ Oryx & Crake (2003), The Handmaid’s Tale (1986) and Marge Piercy’s Woman on the Edge of Time (1979) question whether a feminist dystopia will provoke change in contemporary society.

A utopia is an ideal place that could be described as a haven. It is created from people’s perspectives of what could warrant an ideal place. This includes ideal laws and politics, which result in a perfect society. A dystopia however, perceives the opposite of a utopia and could therefore include a place of oppression and inequality. In relation to a feminist dystopia, M. Keith Booker states in Woman on the Edge of a Genre: Feminist Dystopias of Marge Piercy that,

‘feminist visions of the future tended in general to show a dark turn in the 1980s, probably due to political reverses that damped the feminist optimism of the 1970s.’

Booker’s assumptions of why feminist writers had taken to writing dystopias instead of utopias proves to be a theme within critiques of the science fiction genre. Raffaella Baccolini in The Persistence of Hope in Dystopian Science Fiction states that the term utopia, has lost its value as ‘it has been conflated with materialist satisfaction and thus commodifed’ within society. Thus it is because critiques were noticing a turn from a feminist utopia towards dystopian fiction that the term feminist dystopia was created.

A feminist dystopia critiques contemporary society by extrapolating patriarchal ideologies in the future. Thus feminist writers display patriarchal societies as a dystopia by the oppression of women and the internalisation of patriarchal ideologies. Although this post focuses on this issue in relation to science fiction, there are many other genres that these texts suit. All of the texts display the qualities that can be found in speculative fiction. Oryx & Crake is post-apocalyptic, The society in The Handmaid’s Tale is a result of the assasination of the president and Woman on the Edge of Time debates how neurosurgery could lead to a dystopia. As the dystopian worlds have been extrapolated from contemporary society, the texts could also relate to fantasy and dystopian fiction. Anne Cranny-Francis in Feminist Fiction critiques the fantasy genre as a way of changing contemporary society. She states that,

‘the contradictions concealed by realist conventions are highlighted in fantasy literature, […] fantasy thereby shows the fragmentation of the real, revealing the real as a negotiation of conflicting discourses.’

This supports a feminist dystopia as a feminist dystopia critiques the flaws within the real so that the reader can negotiate other ideologies for society. Although Cranny-Francis is critiquing fantasy literature, her concept is still relevant to a feminist dystopia. Baccolini supports this by claiming that genres are ‘culturally constructed’ and ‘it is the science fiction genre that will able feminist criticism to deconstruct the genres that fit contemporary society’. Therefore with Atwood and Piercy critiquing contemporary society through science fiction, the readers are able to glimmer into a possible reality. Thus the readers reluctance to live in such a world will help change contemporary society.

This post was originally posted on my Medium account. To see what else I’ve posted click here.