Tag: women who write

Book Review, reviews

Magpie by Elizabeth Day

Magpie by Elizabeth Day, Hardback, 256 pages, HarperCollins, Waterstones, £14.99

Magpie does not follow the whimsical tune associated with magpies. Instead Elizabeth Day has used other associations with magpies, to help tell this twisted tale.

Magpie begins through the point of view of Marisa, a creative individual who illustrates children’s stories for a living. The reader is soon introduced to Jake and Kate, as they all live together. Magpie is about how their lives weave into each other and how a very complicated love triangle can occur in a very unexacting way. If you were looking for a romance novel however, you would be mistaken with this novel. Magpie tackles women’s issues within family roles and questions what it is that makes a women, a mother.

Magpie is written in three parts, to allow the reader to see Marisa and Kate’s point of view in relation to what’s happening inside their house. The point of views work well in this novel as it gives an insight into Marisa and Kate’s background. The first part of the novel was quite steady and I found it quite tricky to read. It was only at the end of part one that my interest began to peak. The writing in part one seemed a little chaotic, however I believe this to be intentional to suit where the plot is going. For this reason I applaud Day in taking meticulous care with her narrative.

Elizabeth Day appears to have strong female leads within Magpie. This consists of Marisa, Kate and Jake’s mother, Annabelle. Each character is strong with survival instincts, however these traits are expressed differently throughout Day’s novel. As a result, readers are able to feel connected to one of these character’s, whilst the remaining women will likely remind them of someone they know.

Day’s novel is very calculating, gripping and brings to light the depths that women will go to for motherhood. A compelling read.

Magpie by Elizabeth Day is out September 2021.

Pre-order a signed copy at Waterstones today.

Star rating: 3.5/5

articles, Writing

Coffee Break: Dialogue

Welcome to second instalment of Coffee Break. In this instalment the main focus will be looking at how dialogue works within prose and what we can do to make our dialogue clearer and flow with ease.

Structuring Dialogue

Many of us sometimes question whether when a new person speaks, we should start a new line. Admittedly this should really be happening but sometimes, when we get lost in our character’s minds it can be tricky to decipher who is really speaking. I have recently read a novel by Ruth Ware who uses the confusion of her dialogue to give the reader a hint that the narrator might not be who they say they are (Review can be found here). This further highlights how the structure of dialogue can be confusing, but can be used to complement your plot.

“Try to make a break in your dialogue every six lines”

Chris Thurgar-Dawson

This quote was given to me by my lecturer at Teesside University who always used this as a rule of thumb. He explained how sometimes the reader needs to see a little bit of description whilst dialogue is still taking place. Consider this: Would you watch a play if the characters didn’t move and just read their lines? Would you even consider this a play at all? I know I wouldn’t. The reader can find out a lot about your characters in these descriptions. It could be that your character is saying one thing but their actions are saying something completely different.

Try this

When you are structuring your own dialogue, try to create a new line every time another character talks. By doing this your dialogue will be clear for the reader. Once you have your dialogue in your work clear on the page, go through the dialogue and add a little description every 6 lines. Again this will give your readers something else to consider and might sprinkle more depth to your existing characters.

Accents and Dialects

Sometimes including these within your work can add depths to your characters and give your readers a sense of purpose of where they are from and their upbringing. The important element to this however is making sure that your readers can still understand every detail. For example, where I live people love to eat Parmos. However if not everyone knows what a Parmo is then the concept of using this within language is lost.

Round of applause for anyone who does know what a Parmo is – they’re great.

Try this

Write a brief piece of dialogue about two people that get talking in a queue in the airport. These people can be from opposite places (ie. someone from Newcastle and someone from Cornwall) or you could have two people who are different ages (one could be in their teens and another could be an elderly man/woman). When you are writing this dialogue, try to think of their accent and how their perceptions of the world will come into play in their discussion.

Please let me know how you get on with these writing prompts, as I am interested to see what you have come up with! The next instalment of Coffee Break will involve a different writing focus but until then, sit back, enjoy a coffee and get writing!