In a Dark Dark Wood by Ruth Ware, Paperback, Vintage, 338 pages, £7.99
Ruth Ware’s In a Dark Dark Wood could be described as a gripping thriller that feels just light enough to pop in your hand luggage as a holiday read. Ware’s thriller is set in a rural Northumberland in the middle of a forest. Picturesque it may seem but as night approaches, darkness is clearly lurking between both forest and friends. Nora receives an invitation for her friend, Clare’s, Hen party – only she hasn’t seen her in ten years. Although spending a weekend with an old friend could sound like bliss, with something going very wrong, Nora soon learns that she has to confront why she left so long ago.

Ruth Ware is also known for The Woman in Cabin 10 and her latest novel The Lying game. Ruth used to be a teacher of English and a press officer. Having lived in Paris and London, this novel takes us away from the city life and into rural Northumberland. As her debut thriller it is to no wonder as to why her other novels just keep giving. After reading In a Dark Dark Wood I can only imagine that her other novels will be just as gripping and just as clever as her debut – if not better.
Whilst reading In a Dark Dark Wood, her style seemed to resemble Gillian Flynn’s Gone Girl. The novel follows Nora’s story all the way up to a pivotal point in the novel, whilst showing the aftermath through every other chapter. This reminded me of the way Flynn would bounce between charaters within her novel. Although Ware’s novel jumps to the past and present it is done in a way that feels necessary to the exposure of the plot.
For anyone wanting to have a look at the first few pages, you can through either amazon.co.uk or Waterstones.
Happy reading!


The language that Arden has used is descriptive when it needs to be and lyrical, throughout. The lyrical prose blends itself well to the voice of Vasilisa as it expresses a sense of naivety and purity. The description in the novel appears very similar to that of Jessie Burton’s The Miniaturist. Both texts describe with their senses and it was rather refreshing to read about the winter-king in the peak of summer. Arden’s language also demonstrates her extensive research into Russian fairytales and traditional folklore. It is for this reason that this piece could be described as authentic. Each page oozes droplets of Russian culture whilst allowing the reader to breeze through the novel.





voured as they are all rich in detail. Forbidden love has been written in such a way that no one is to blame. For example, this is no Romeo & Juliet , as it was their families to blame for their suicide. With a love triangle cast, it is difficult to break as it is questionable as to whether the characters believe that they are in one. When the reader has acknowledged this, I have no qualms saying that you will feel like yelling at the book, hoping that the characters can hear you. With all of this mention of love and romance, I must insist that this novel is not all about love. Winterson’s