The Flatshare by Beth O’Leary

The Flatshare by Beth O’Leary, paperback, 391 pages, Waterstones £5.99.

I initially picked this book up out of Tesco’s (currently 2 for £8) as I wanted a funny, happy and uplifting read and I feel that I got just that with this book.

The Flatshare is about two people who decide to share a flat at different times and days of the week. Leon is a nurse that works nightshifts and Tiffy works in publishing craft books. The novel itself reflects the point of view of both Tiffy and Leon in simultaneous chapters. Along with the character’s points of view, comes along various themes to be discovered.

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Friendship – A really strong element to this book is friendship. Although there are two main friends to the main character, the book also shows the importance of friendship in the workplace and how they can also impact our mental state and our enjoyment at work. This is reflected through both Tiffy’s work colleague Rachel and Leon’s patients Holly and Mr.Prior. All of the characters add something extra to each friendship and helps the reader relate to the characters and their experiences.

Love and Gaslighting – Gaslighting is a strong theme in this book, however (pardon the pun) it gradually comes to light for the reader, so that it doesn’t take away from the characters or plot itself. You could argue that this only enriches the characters experience.

Humour – One element that is consistent throughout this novel is humour. Part of this book’s charm is that it is so relatable to many readers that it will have you laughing both at the characters and yourself. Describing someones eyes as being as ‘brown as Lindt chocolate,’ I thought was personally genius. It strikes me as one of those novels where everything you want to say but daren’t, is said. 

After reading The Flatshare I felt it had an uplifting plot that left me with a smile on my face and a few aching stomach muscles. Once I had finished reading it, I looked up Beth O’Leary’s inspiration for the novel. After discovering that O’Leary wanted her book to be ‘a book you reach for when you need a hug,’ I could not believe how well the feeling I had experienced, matched her description.

I normally read thrillers but I wanted a change to something that was a bit more upbeat. Thinking I needed a laugh in lockdown, I gave this a try. I therefore would not say that you don’t need to read Chick Lit, in order to give this book a read. If you want to laugh, have some fun and let your hair down (if you have any!), then this is it!

You can buy this book at most supermarkets (as is her other book, The Switch, which I’ll be reviewing also) or via Waterstones, as mentioned above.

Happy Reading and stay safe!

The Death of Mrs.Westaway

The Death of Mrs.Westaway by Ruth Ware, 400 Pages, paperback, £8.99 at Waterstones.

Get out while you still can. Ruth Ware has created a thrilling house with even darker secrets. The Death of Mrs. Westaway begins with Hal and a mysterious inheritance to someone she has never heard of. Pretending all is well, she returns to the estate and realised that this is more than she bargained for.

The pace in this novel is well thought out. It begins rather fast paced, with the introduction to Hal and her need to escape. After the first meeting with the lawyer Mr.Treswick, the novel seemed to slow a little. However this allows the reader to come to terms with what is happening and to explore the grounds and the rest of the characters with Hal. From this point on, the pace continues to build, leaving the reader with sleepless nights of reading.

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The plot itself plays to Ware’s strengths as her style cannot be unacknowledged in the plot. Ware’s writing style tends to be located in a location that holds memories and secrets that are carefully revealed one by one. The Death of Mrs.Westaway tends to be the most focused towards a mystery novel, with Hal and the reader being the detective. With this being said, this mystery brings the traditional victorian mystery into the contemporary here and now. Therefore do not expect a predictable read with this book. Whilst you are reading one part, Ware is tweaking with something else in the background.

There is some very significant influences to this novel that are very hard to ignore. The past location of Ezra and the estate itself, are strong influences of Daphne Du Maurie’s Rebecca. Throughout the novel the similarities are uncanny. However Ruth Ware makes sure that you don’t read the same novel twice. 

Furthermore superstition also plays a key part in the novel, from tarot cards to magpies that swarm the grounds. This could challenge the reader’s beliefs of what is believed and what is fact. It is this concept that is consistently returned to when trying to uncover the secrets throughout the novel. What are the facts and what is it that you want to believe?

The Death of Mrs.Westaway is a perfect choice for readers who loved Rebecca or are curious about superstition. However if you enjoy a good mystery but would wish they kept you guessing, then again, you’re looking at your next read.

If you are still not entranced by this novel then, through the words of Mrs.Warren Get out while you still can.

Although we already know what you are going to read next, don’t we?

To buy The Death of Mrs. Westaway in hardback click hereThe Death of Mrs.Westaway is available to pre order in paperback.

Rebecca By Daphne Du Maurier

Rebecca by Daphne Du Maurier, 448 pages, paperback, £6.99, Waterstones.

‘Last night I dreamt I went to Manderley again.’

Daphne Du Maurier’s most iconic novel begins in one of the most famous houses of all. Manderley. A sudden flashback to the house brings a sense of intrigue as the reader begins to follow the future Mrs. De Winter in Monte Carlo. However it is only when  Mrs. De Winter gets to Manderley that she realises that all is not what it seems at this enchanting place.Screen Shot 2018-09-02 at 11.58.04

Daphne Du Maurier demonstrates descriptive language at its finest whilst balancing the drama perfectly amongst the dialogue. After reading this novel I can see elements of modern literature that has taken certain aspects of this novel into their own. The concept of the pensive in Harry Potter is similar to Du Maurier’s interpretations of memory. Furthermore with certain characters within the novel, it is a little more of a coincidence that Gillian Flynn’s Gone Girl takes a similar approach in characterisation.

Reflecting back on Rebecca, Daphne Du Maurier appears to have been one of the first influential female writer’s to have written a psychological thriller. Yes, Mary Shelly’s Frankenstein is a close second, however I would suggest that this takes a more horrific approach as opposed to a psychological view. The closest I have seen writing as similar as this would be Charlotte Perkins-Gilman’s The Yellow Wallpaper. Sadly this is just a novella, however if you have enjoyed this read previously then Rebecca is the book for you.

Du Maurier’s novel has a strong focus on identification of the self. Her writing shows elements of the beauty myth to emphasise self identity, through becoming the new wife of Mr. De Winter and the new owner of Manderley. It appears as if the main character is in a world where she is being told how to be, that she must break all of these barriers in order to find herself and her courage along the way.

I would suggest this novel to everyone purely because I do not feel that this novel is solely for men, women or children. Rebecca could be casted as a coming of age novel as the main character is trying to find themselves within the world. However if you like thrillers, in particular a psychological one, then again this is a must.

If anyone has already read this please let me know your thoughts. After all, everyone’s views of Manderley are different.

You can buy Rebecca here. Best of Reading.

The Girl in the Tower by Katherine Arden

The Girl in the Tower by Katherine Arden, Hardback, £12.99 at Waterstones.

The Girl in the Tower continues Arden’s first novel, The Bear and the Nightingale, by revealing page by page, what happens to the beloved Vasya. This novel seamlessly follows Vasya on her travels to finding her family and herself.

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In The Girl in the Tower, the reader is given an insight into Moscow and its current struggles. As if power struggles and potential war wasn’t bad enough, traceless bandits are beginning to steal daughters from quiet nearby villages. This novel also gives its readers an insight into the life of Vasya’s other family members, Sasha and Olga. With everyones viewpoints beginning to clash, conflicts begin to rise, as does your reading pace.

The Girl in the Tower remains set in medieval Russia and clearly demonstrates Russian tradition and folklore. Katherine Arden has twisted these concrete concepts with a significant relation to feminism. It is because of this that the novel seems so fresh and current, regardless of its setting.

To conclude, The Girl in the Tower is fast-paced and flows seamlessly from the first novel in the Winternight series. Feminism is embedded throughout the novel, demonstrating current views into a medieval time. I thoroughly enjoyed this novel and it has left me wanting more. Closure is given however it does not stop you wanting to read the next one asap! The end of The Girl in the Tower is very fast-paced and gives the impression that the third novel will have a significant beginning.

You can pre-order the paperback here or you can order it from Amazon for the Kindle.

The Bone Clocks by David Mitchell

The Bone Clocks by David Mitchell

Sceptre Books, £7.99, 613 pages, paperback, 2014.

The Bone Clocks could be described as one of the most unique and original books I have read to date. The Bone Clocks takes its readers on a lifelong journey to show the ups and downs that life can offer. Mitchell’s novel changes perspective a few times to demonstrate how one person can impact so many other lives. Given the change of perspectives, it is evident at how much thought has gone into the creation of The Bone Clocks, as although the perspective may change, the main character does not.

Throughout the novel an undercurrent theme of science fiction can be seen through the main character’s, Holly Sykes’, potential of psychic ability. However this is no fortune telling, carrot reading or crystal ball kind of psychic. In fact this concept is brought up and discussed within the novel; providing its readers with answers throughout the Sykes’ journey.

At first I did find this book a bit difficult to read, purely because there are no chapters. Only sections and brief spaces between paragraphs give an indication as to where a good place to stop reading may occur. Having said that I thoroughly enjoyed reading it. As a reader I feel as if I have travelled through Sykes’ journey with her and have gotten to know her intricately. The understanding I now have of Holly is the equivalent to the understanding of a main character from a trilogy book-set.

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If you want to be whisked away by a character’s journey, then be prepared to be whisked away by The Bone Clocks.

The Bear and the Nightingale

‘The snow fell thrice, deep and solid, after midwinter, and after the last snowfall came a great blue frost, when men felt their breath stop in their nostrils and weak things grew apt to die in the night.’

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The Bear and the Nightingale By Katherine Arden invites its readers to be entranced by Russian fairytales and traditional folklore. The Bear and the Nightingale is about a young girl called Vasilisa and her journey to adulthood. Vasilisa however is bound for greatness, something in which her stepmother, Anna wants for her own daughter. Once Vasilisa’s father remarries, incidents begin to occur that threatens her village and her home. It is best described as a coming of age novel that is encased in fairy tales.

screen-shot-2016-09-13-at-15-43-27The language that Arden has used is descriptive when it needs to be and lyrical, throughout. The lyrical prose blends itself well to the voice of Vasilisa as it expresses a sense of naivety and purity. The description in the novel appears very similar to that of Jessie Burton’s The Miniaturist. Both texts describe with their senses and it was rather refreshing to read about the winter-king in the peak of summer. Arden’s language also demonstrates her extensive research into Russian fairytales and traditional folklore. It is for this reason that this piece could be described as authentic. Each page oozes droplets of Russian culture whilst allowing the reader to breeze through the novel.

The plot itself mirrors the structure of sheet music. Every scene, discussion and description is needed to carry the reader deep into the novel. Arden’s novel is fluid and grips the reader from the very start. The Bear and the Nightingale is a great book to read for escapism and provides its readers with a warm log fire to cosy up to, even in the summer!

I thoroughly enjoyed reading this novel and have found it an honour in reading it as a proof copy. I believe that this book is for anyone and can be read whatever the time of year. I would urge anyone to buy or pre-order this book  here as I feel that your money would definitely not be wasted. A great read and a great gift to give.

The Help

The Help by Kathryn Stockett, 2010, paperback, ISBN: 0399155341, £7.99.

I was a little hesitant at reading this book as I thought the subject matter may have been a difficult read. However The Help discusses how black maids are trusted within a household with some form of lightness. The Help is about a woman called Miss Skeeter, who wishes to give black maids a voice. All of the main characters are strong women that have potential to be strong within society. Stockett’s novel is well written and also touches upon community as well as a controversial subject, from an angle that makes it easy to discuss. I laughed and cried with this book and felt like no matter what part I put the book down on, I would always be excited to read it again. For this reason I believe it to be a timeless piece and in my eyes, a classic.
Stockett’s writing style is extremely fluent and oozes her characters personalities. The writing also highlights the character’s voices: without making it difficult to read, this  adds a sense of authenticity. The character’s stride past the author in this book and put their mark on what the reader sees. The descriptions of Jackson, Mississippi add to the originality of this book as the location sometimes can feel like a character in itself. At times I felt as if I could almost feel the warm Mississippi air on my face.

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So quick summary– If anyone is looking for a quality read with strong main characters and is interested in American history or post-colonialism, then this type of book would be a great read. Lighter than post-colonialism, it is a fun read that seems guaranteed to be enjoyed. The book follows Minny and Aibileen on their journey of living as the Help within a white household. Miss Skeeter longs for her old maid Constantine and sees the help differently than her other friends do. The Help follows Minny, Aibileen and Skeeter on their relationship with each other and their freedom. A journey not to be missed.

How Much Reading Qualifies Quality Writing?

How Much Reading Qualifies Quality Writing?

We’ve all wondered and perhaps researched how to get better at writing. However why is it that we are told to read more to become a better writer? I suppose you may have heard of advice such as ‘just write’ too? Writing to become a better writer is easier to make sense of; it’s possible to understand that writing regularly will help with keeping a writing routine. It may even help with your creativity and ideas. Yet why is it that when we look to our favourite authors for help, we are always told to read more? I mean you might read ten books a day; the truth is, they don’t know how much you read. So how do you know if your reading is effective? This post hopes to discover what people mean when they say that reading improves your writing.

So, what is considered ‘reading’? This could have many different meanings to everyone. For some, reading may imply reading fiction, to others it may mean reading articles and newspapers. It could even mean reading another’s body language! My point, is that although there are many forms of ‘reading,’ they all have something in common. The common ground between the meanings I have displayed is awareness. If for example, you were wanting to write a romance novel, then being aware of different styles and plots within that genre will help you to write better. If you were wanting to write a piece on culture and society, then articles and newspapers will make you more aware of societal views and thus make your writing better. So please, don’t just read a book for the sake of it. Find out what it is you need to be more aware of (styles, genres etc) and read with this in mind. Your writing will be better before you know it!

Okay so now the big question- how much reading is too much reading? I suppose you never really can have done enough reading, however if you’re reading  all day, then when would you find the time to write? This may sound very clichéd but… whenever you’re ready. I don’t know about you but even I find it difficult to read a book and then continue to write. I find my new ideas that I think are genius, are really just a different version of the book I am reading. Sound familiar? Whereas if you are reading to learn more about a writing style or genre, then once you feel like an expert in that field, should you write. It may not be perfect at first but this is where that other famous piece of writing advice comes in. Write more. The best way to find if you’re ready to write is, pardon the pun, to write it down. The ‘it’ however referring to your knowledge. If you think of reading as a form of research, write down anything that you believe is valuable to your writing. Once you have collected all of that information, ask yourself, have you done enough reading?

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We always knew that reading and writing would equate to quality writing. Only now I hope that it is a little easier to understand. Please feel free to comment below as I’d love to hear everyone’s thoughts on the subject.

Why People are Scared of Self-Publishing

It’s sadly true that some people are just plain scared of self-publishing. I mean really when you think about it, who to best sell your book than… well… you?

Although self-publishing has been on the rise for the past few years, titles and genres have been blurred so much that sometimes it can be hard to look or even, be original. With this I’m referring to ebooks; when you scroll down amazon or the book store on iTunes, you begin to notice how similar all of the books look. After scrolling to page 16, well, I don’t know about you but I sometimes feel like the first page is just repeating itself. It’s because of this that it can seem daunting to self-publish.

I mean lets face it, the person that knows your novel the best is you right? So why is it that many of us want agents or publishing houses to help get our novel noticed?

Expertise? Of your own novel?

Now let that just sink in… you want an expert in your novel that you wrote…

A lot of the time we know the truth but we are too scared to make the first move. We can market our book the best but ultimately, we leave it for someone else to do because we doubt ourselves.

If we believed that we could deliver good marketing techniques to our book to give it great sales and publicity, would we do it? Absoloutely. Dare we try it? Not a chance.

I partly think that we all think like this because of two reasons. We either:

A: Want an agent or publisher to tell us that they think it’s good enough to publish (aka, tell us our writing is good!)

or

B: Are scared to put our all into marketing our book because we don’t want to fail in either marketing or writing.

Yes it can be a tough one to call sometimes, but the best advice I can give is to think of all that hard work you’ve done. Do you really not want to share it with the world?

If you don’t attempt to get it seen then it never will be.

This concept is something that I’ve been battling with for quite a while. However after much deliberation and looking for a publisher, I have decided that I could do a better job. I know that I believe in my piece and want the world to read it. Whether people pay for it, is another question, but I would love for people to see how much hard work I’ve put in to it.

So without further ado, I’m going into self-publishing… are you?

This post was originally published on my Medium page. Check it out here.

The Myth of Quality Literature

Myth of Quality

Ever went into a bookshop and wanted to read quality fiction? Others may describe it as high literature, but similar to what you call it, it differs from person to person. Sometimes even the pressure of writing quality fiction can be enough to make them put the pen down and walk away. So why is it that we want to read quality fiction? Is it to strengthen our knowledge and understanding of a particular field, to challenge ourselves or to simply help us write quality fiction ourselves?

I must admit I like to read quality fiction. However what I think is ground-breaking stuff, you may think is rubbish. My tutor at university once gave me a method to discoing ‘high literature.’ He believed that to have a quality piece of work it must have direct, indirect and free indirect discourse/speech (i.e. “stop it,” she said, she said stop it, she shook her head, stop it.) He argued if this was balanced throughout the novel it would be a quality piece. However, he also believed if the book was slightly bigger than A5 paperback or was printed only in hardback, then it was quality fiction.

My interpretation on the other hand, is that any novel that challenges societal values or ideologies should be considered as quality fiction. My reason being that the book would have a purpose and the plot would seem more original. However as I have previously mentioned, this is my interpretation.

The Beauty...

Like the saying, ‘Beauty is in the Eye of the Beholder,’ it works with literature. What you might hate, others may love. With this in mind, the concept of quality literature is a myth. Not everyone will agree with what depicts a novel as quality fiction and that’s fine. I therefore urge you to keep writing your novel and/or keep reading what you enjoy. After all, if you enjoy a piece of writing, why not call it a quality piece of fiction?