Papier Diary Review

Last week I was so pleased to see a smart stripy parcel slip through my letter box. The packaging itself looks as good as the designs for your stationery. As I began to open the parcel I could feel the enjoyment and anticipation of seeing my personalised design. The little note from Papier is also a nice touch and gives your parcel a more personal appeal.

Although there was no paperback option for my diary, I absolutely love my hardback diary. The matt finish allows the design to speak for itself. The perfect bound makes for a crisp book and allows for a ribbon bookmark to be placed in the diary.

As a writer who primarily uses lined paper, I was anxious at first to write on plain paper. However after really looking at the space given and the type of notes I wish to include within my diary, I don’t think that the blank pages will be a problem.

Each month begins with your goals for the month, a to-do list, important dates and a wish list. This is really handy if you need to see quickly whether it is going to be a hard or busy month. This check up page is also great to spur on your motivation for finishing projects or training for a sport event.

At the beginning of the diary, there is a month to view, for the full year. This makes it incredibly easy to see birthdays, big events and deadlines, without flicking through each page.

At the very end of the diary there are also some lined pages for you to use as you wish.

Although Papier’s diaries have a lot to offer, it has to be personalisation and their designs that I love the most about Papier. I know so many people who have either a name that is spelt slightly different or that have a different cultural name (either from Europe or further afield) that find it difficult to find personalised items. Papier however removes this worry and allows personalisation to anyone who wishes to acquire it.

I also love the design of my diary and I mean love! I am so pleased that Papier give credit to the artists as it allows you to look further into the artist who created your design. My design is by Rachael Cocker and is called Blooms of Joy. After surviving two national lockdowns in the midst of a pandemic, a Bloom of Joy is exactly what I need.

Since the beginning of lockdown I have began writing letters to friends and close relatives to help combat loneliness during this challenging time. Lets hope that they like Papier as much as I do! To have a look at all of their designs visit: www.papier.com and find your own personalised diary for the new year!

My Top 5 Christmas Book Buys!

If this pandemic has taught us anything this year, its that we all love reading. This could be a psychological thriller, a goofy romance or even a self-help book. Whatever style or genre you are wanting to read, you will always find something. However as there are so many books to choose from, I have whittled my favourites down to a top 5 to help you find the perfect gift for someone this year. There is something so exciting about receiving a book. We all know the shape, yet with so many titles on our ‘to be read’ pile, we still don’t really know what we will get. Here are my top 5 to unwrap this year.

Thriller – One by One by Ruth Ware

What could be better than a psychological thriller located in a snowy setting at Christmas? Ruth Ware has brought a murder mystery concept into the 21st century by the use of realistic – and at times, relatable – settings with current motives. One by One takes place in a lodge that is extremely secluded. It could be perceived as tranquil. However with only a cable car to leave or escape the lodge, the characters begin to think it is anything but peaceful. As killings become more and more frequent, the serenity of the lodge begins to feel like a prison. Who will survive as the characters disappear one by one?

Romance – The Flatshare by Beth O’Leary

If crime and murder isn’t your thing, then have a fling with The Flatshare. The Flatshare is about two young professionals that share a flat but never really see each other due to work commitments. This book was my favourite read in lockdown as it made me laugh and smile when times were hard. Please note that is not the type of book that I would normally read and yet, I am now anticipating the release of her latest novel, The Road Trip, out in 2021. A perfect book to lift your mood and to laugh when times are challenging.

Check out my full review of this book here

Classic – Rebecca by Daphne Du Maurier

How many times have you heard – but have you read the book?- when a film comes out? Yes, very often and why does this get asked? The book is better. Admittedly, the latest adaptation of Rebecca on Netflix is good but at times I found the film slow and it missed a few scenes that the book had solidified in my mind. Yes, readers, I wanted to see the garden at Manderley! The book on the other hand is not slow in the slightest. The novel is an exciting read and is filled with tension and suspense between the main characters, right up to the very end. If you are looking for a classic this Christmas, I would definitely recommend this novel. Who knew a young woman living in Cornwall could have such a dark mind that could write with such suspense! A much welcomed break from Charlotte Bronte and Jane Austen.

See my full review here

Non-fiction – The Little book of Clarity by Jamie Smart

This is hands down, one of my favourite books that not only made me realise how people perceive the world, but how non-fiction can be engaging and impactful. Jamie explores clarity in this book in relation to all aspects of an individual’s life. The outward-in method that he discusses really makes you think about your own choices and your own happiness. This book is, as you may have guessed, short, clear and concise. A short but memorable read.

Read my full review here

Self-help – Get Your Sh*t Together by Sarah Knight

I too wish I was Sarah Knight, living in the Caribbean and writing books as my profession. Who knows, after reading this book, maybe I will. Get Your Sh*t Together, provides its readers with a little tough love, followed by fantastic strategies that can be applied to all aspects of your life – be it relationships, health or work. Sarah Knight has tried to make the subject comical as it does touch on some serious and quite scary topics. However after reflecting on this book and attempting to actually get your sh*t together, you will begin to realise that this book does exactly what it sets out do. A great gift and motivator to making your dreams become a reality.

Although I have so many other great books I wish I could include, the books above have to be my top 5. Feel free to read any additional reviews I have written on these books to help you make your mind up with which to put on your own ‘to be read’ list. If however you are still wanting some book inspiration, I have provided you with a few more noteworthy reads. Who knows, you may even want to gift one to yourself.

Recommended Reads

The Midnight Library by Matt Haig

The Miniaturist by Jessie Burton

The Exact Opposite of Okay by Laura Steven

Write Yourself Happy by Megan Hayes

Ghosts by Dolly Alderton

Coffee Break: Dialogue

Welcome to second instalment of Coffee Break. In this instalment the main focus will be looking at how dialogue works within prose and what we can do to make our dialogue clearer and flow with ease.

Structuring Dialogue

Many of us sometimes question whether when a new person speaks, we should start a new line. Admittedly this should really be happening but sometimes, when we get lost in our character’s minds it can be tricky to decipher who is really speaking. I have recently read a novel by Ruth Ware who uses the confusion of her dialogue to give the reader a hint that the narrator might not be who they say they are (Review can be found here). This further highlights how the structure of dialogue can be confusing, but can be used to complement your plot.

“Try to make a break in your dialogue every six lines”

Chris Thurgar-Dawson

This quote was given to me by my lecturer at Teesside University who always used this as a rule of thumb. He explained how sometimes the reader needs to see a little bit of description whilst dialogue is still taking place. Consider this: Would you watch a play if the characters didn’t move and just read their lines? Would you even consider this a play at all? I know I wouldn’t. The reader can find out a lot about your characters in these descriptions. It could be that your character is saying one thing but their actions are saying something completely different.

Try this

When you are structuring your own dialogue, try to create a new line every time another character talks. By doing this your dialogue will be clear for the reader. Once you have your dialogue in your work clear on the page, go through the dialogue and add a little description every 6 lines. Again this will give your readers something else to consider and might sprinkle more depth to your existing characters.

Accents and Dialects

Sometimes including these within your work can add depths to your characters and give your readers a sense of purpose of where they are from and their upbringing. The important element to this however is making sure that your readers can still understand every detail. For example, where I live people love to eat Parmos. However if not everyone knows what a Parmo is then the concept of using this within language is lost.

Round of applause for anyone who does know what a Parmo is – they’re great.

Try this

Write a brief piece of dialogue about two people that get talking in a queue in the airport. These people can be from opposite places (ie. someone from Newcastle and someone from Cornwall) or you could have two people who are different ages (one could be in their teens and another could be an elderly man/woman). When you are writing this dialogue, try to think of their accent and how their perceptions of the world will come into play in their discussion.

Please let me know how you get on with these writing prompts, as I am interested to see what you have come up with! The next instalment of Coffee Break will involve a different writing focus but until then, sit back, enjoy a coffee and get writing!

Coffee Break: Setting

Welcome to the first instalment of Coffee Break. These articles will be filled with writing prompts and advice that are tailored to a particular theme each month. This month the theme will be setting. This article will look at how to describe setting without leaving your writing clunky and how to make places memorable to the reader. So sit back, relax and have a pen and paper at the ready!

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It can often be questioned how much description is too much description when it comes to setting. The truth is that many people tend to overthink how to set the scene, which in turn, leaves it looking clunky and feeling forced. What you should try to focus on instead of what a physical place looks like, is to show the setting through the eyes of your main character.

Whilst travelling you are moe likely to immerse yourself in the culture and your surroundings. You wouldn’t just look at the old theatre just off the side street – you would watch an opera in there, get a few photos and socialise there too. This is exactly what your characters should be doing. It is for this reason why the show don’t tell method works brilliantly for setting the scene.

Here is an example of telling your readers what happened:

Susan looked around at the grubby tables in disgust. Just looking at the rubbish on the floor made her body shudder. She hated this place.

Here is an example of showing your readers what happened:

Susan pulled out her hand sanitiser and used it up to her forearms. She glanced at her friend and pulled on a pair of latex gloves, ‘best to be safe than sorry in this place.’ She put her coat on her seat and sat on her coat.

The first example uses some describes the main character’s feelings whilst the writer is describing the place, but all the reader knows is that the floor and table is dirty. However in the second example, the sanitiser and gloves represent that the place must be really dirty (not just a particular part such as the floor). So much so that the main character won’t even sit on the chair she has been given, without the comfort and safety of her coat. Furthermore by including dialogue, the characters actions are showcase and provides the reader with a more fluid sense on setting the scene. By setting the scene within your story you are effectively moving the story forward whilst adding description. Not only will this help the development of your characters but it will also help the pace of your writing.

Try this yourself! Imagine you have just gone to work in the middle of a heatwave. Describe your surroundings through your characters actions.

Keep me updated with your writing by leaving a comment below!

The rest of this month writing prompts will be given around the focus of setting, so stay tuned and keep writing!

How To Navigate Your Thoughts Into Your Writing

How to Navigate your thoughts into your writing

It’s a great feeling wanting to write, yet finding somewhere to start can be tricky. Even if you know what you want to write, it can sometimes be difficult to start if a plot hasn’t occurred to you yet. This then begs the question: Can you write without an initial plot? This article will focus on the notion of wanting to write but not having a clue where to start. If this behaviour sounds familiar or is something that you know you struggle with, then read on for my top tips for overcoming the beginning of your writing.

Do I just begin writing and see where I go?

This is partially what I tend to do. I’ll have an idea or a style of writing I’m wanting to convey within my work and tend to work my way through it before several drafts of editing. However sometimes you may not know how to get to your destination and therefore become stuck at where to start. If this happens to you, try thinking about your characters’ journeys within the piece of writing too. Many characters tend to take their own route rather than allowing the writer to direct them. It is for this reason as to why I would encourage you to focus on character development, before you jump straight into a story.  Often by doing this a character will help you create a plot to drive your writing forward. So sit back and enjoy the ride!

Wouldn’t a really structured plot help?

This can be extremely useful for long writing projects, however I believe an over-structured plot can hinder a writer’s creativity if too rigid. So how structured is too structured you ask? This is ultimately down to you. Consider how free you are wanting your writing to be. Do you just want to know how to get from A to B or do you want to know every direction and service station that you’ll end up in? When writing, the phrase, ‘I never get lost, I just end up changing where I want to go,’ comes to mind. Sometimes not knowing where you are going, helps you to explore an area you have never been to before. This is similar when it comes to your writing and creativity. Try writing where your stay begins and ends. Now ask yourself, do you need anything else to help you start writing? If yes, include a middle twist and if not, start your engine.

I never get lost, I just end up changing where I want to go

It’s all good writing but how do I get ideas?

Ah, this old chestnut. Sometimes considering the day to day stuff that people get up to can be a great place to start. For example, just before lockdown I was made aware of TikTok (a social media platform that consists of various videos, currently a lot of dancing!). It might be that many teenagers use this platform but what about the elderly? Imagine an old man that uses it to interact with his family and he ends up going viral and there you have it – the beginning of an idea. Make a list of daily tasks that you, a friend or a family member does and try to consider a piece of writing including this daily  task or chore.

Ideas are around us all of the time, so pay close attention to your surroundings and you’ll never have to worry about finding an idea again.

The Turn of The Key by Ruth Ware

The Turn of the Key by Ruth Ware, Vintage, paperback, 340 pages, £6.99, Waterstones

Their dream house will become her worst nightmare…

Their Dream will become her worst nightmare-2

The Turn of the Key is Ruth Ware’s latest novel set in the Scottish Highlands. Ruth Ware’s most recent novel is instantly familiar to her other novels as its presence and ending continues to pack a punch.

The Turn of the Key begins it’s journey similar to Ware’s previous novel, In a Dark, Dark Wood, as it begins with the main character explaining how she ended up in her current predicament. The novel begins with a job advert about a current nannying role and the main character jumps at the chance. However has the nanny potentially bit off more than she can chew?

Structure

The structure of this novel is very important to point out as it’s not the standard structure you would expect a novel to take. The Turn of the Key begins with the main character writing a letter to a barrister about her recent experiences at Heatherbrae House. The reader can instantly acknowledge that something has happened that they are not aware of, however it is clearly evident that the main character will explain everything in the letters to come. This already gives the reader a sense of intrigue as the reader begins to question whether they can be convinced of the main character’s situation. As the novel progresses the main character makes several points referring back to the prison and demonstrates an interesting narrative style. This in turn reminds the reader to be on edge and to trust no one.

Pace

The pace of this novel is very interesting as there are many subtle elements to be aware of.  Since the narrative keeps referring back to the main characters’s situation, the subtle elements become even more questioning and as a result keep the reader engaged and intrigued. I must warn the readers however to brace yourself in the last hundred pages as it can feel as if you are in a tornado. As the pace and tension begins to build, so does the plot twists. So much so that it feels as if poison ivy is twisting around each scene, making the reader feel glued to the page.

Characters

Each character in this novel seems carefully considered. This novel has three children and one teenager in the heart of the story and how each child reacts and adapts to the new nanny and scenarios they are put in is really realistic. All of the characters are relatable to some extent and the Scottish characters, Jean and Jack, have been written brilliantly. Ruth has not only created characters that are relatable but has also managed to get their dialects right too. I have relatives that currently reside in Edinburgh and when I listen to Jean and Jack talk, even when in Carn bridge, they all sound authentically Scottish. Nothing is thrown in to make the characters seem obviously Scottish but the subtle differences within their language and word choice, highlights exactly where they are in the UK.

Influences

I cannot ignore that there appears to be a potential influence from Alnwick Garden, which again can be seen through the potential location and some of the ‘facilities’ that Alnwick Garden has to offer. Once you begin to read this novel you will begin to see the connection emerge.

Their Dream will become her worst nightmare

Similar novels

Interestingly The Turn of the Key, reminds me of two of Ware’s previous novels, In a Dark, Dark Wood and The Death of Mrs.Westaway. The narrative structure in Ware’s current novel is similar to In a Dark, Dark Wood whereas the ghostly and haunting aspect of a manor house in The Death of Mrs. Westaway, mirrors the more contemporary isolated house of The Turn of the Key. Interestingly when considering the technology that is seen within this novel, I cannot help to compare the house setting of a similar feel to The Girl Before by JP Delaney. Both of these novels make the reader have to get to grips with technology fast, whilst self-policing in the process. Another book that identifies technology as a great driving force is George Orwell’s 1984, as the quote ‘Who controls the past controls the future,’ fits perfectly with Ruth Ware’s most recent novel.

If you find psychological thrillers gripping and enticing then this book is for you. I personally find self-policing an interesting topic and was unaware that this was considered in the book before reading. I personally love how Ruth Ware’s endings always seem satisfying and as soon as I picked the book up, I knew I would enjoy it. I throughly hope that The Turn of the Key has the same effect on you.

You can buy Ruth Ware’s latest novel The Turn of the Key here.

The Last by Hanna Jameson

The Last by Hanna Jameson, paperback, 400 pages, Waterstones, £8.99

Hanna Jameson’s The Last is an immersive read from beginning to end. This novel is unlike anything I have read before as it begins in a situation that no one else has ever experienced. The Last is about the last remaining guests at a hotel in Switzerland During their stay the work ends. The Last tries to exhibit what this situation would be like. Furthermore, with reason to believe a murderer is staying at the hotel – as a body is discovered – the novel begins to question whether morals have ended too.

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Background

Throughout this novel it is clearly evident that Jameson has given ‘the end of the world’ many thought when creating this novel. Small luxuries we take for granted are stripped away from them in an instant, making us question what we could possible live with – or without. Furthermore with a hotel providing accommodation for a variety of cultures, The Last begins to showcase humanities beliefs to the bare bone.

Format

Interestingly the format of this novel isn’t your standard ‘chapter 1.’ The novel has been written by John, a professor from San Fransisco, who is currently attending a conference. Instead of chapters the novel follows a diary-like structure to recollect the days that have went by. This may not be everyone’s favourite structure style, however it is very suiting and adds a personal touch to the experience.

Themes

There are two main themes underlying in this novel. One is anthropology and the other is mystery. Throughout The Last, all of the characters are significantly different and thus show very different reactions to the end of the world and to each other. Although I found this very interesting, my main reason for reading this novel was due to a murder investigation in a very unusual circumstance.

As the novel progressed I was unsure how the novel was going to end as there was little progress made about the murder. Overall I felt let down as the murderer was only identified after their was a solution to morals and leadership. For this reason, I felt like the mystery element was an afterthought and made the suspense I had, flop like a pancake.

I am still pleased that I read The Last as I did enjoy the characters’ journey. However I would describe this novel as speculative fiction, as I felt misled with this novel being associated as a crime or thriller. If you like alternative fiction, think Lord of the Flies survival in the time of Brave New World, then you’re in for a treat.

Please give it a read and keep an open mind. It may not have been the type of book I wanted to read but I really enjoyed the change.

You can pick this book up here.

This book was received via NetGalley.

Finding Inspiration at Home

Finding Inspiration at Home

With many of us working from home, it can sometimes be tricky to find inspiration in an area in which you have spent months living and working in. Some may even struggle facing their laptop, especially if they have been working on it all day. I have collated a few ideas that will provide you with a new insight into your home and how your daily routine can help you create new plots and develop characters.

Short on Time?

Many of us may be working full-time, home-schooling your children or have caring responsibilities, which can take a lot of time away from your writing. Whenever I am short on time (my teaching breaks are 15 minutes) I try to come up with a Haiku as a snapshot of how my day is going. A Haiku is a 3 line poem, with each line consisting of so many syllables. The structure is as follows:

Line 1 (5 syllables)

Line 2 ( 7 syllables)

Line 3 ( 5 syllables)

I don’t normally write poetry. However I do like puzzles and I feel like a Haiku poem is a mixture of puzzles and writing that fits really well into my short breaks. You may even prefer to write several Haikus to create a longer form of poetry.

Feeling Lonely?

Living on your own or being around the same type of people can be boring and will not be helping your creativity grow. Instead spark your creativity by inviting your characters over. Jot down every detail: How do they knock on the door/ring the bell? Their posture when you open the door – Do they barge past or ask politely to come in? Once they’re in the house/flat, consider which room they’ll go into. Will it be the study, the kitchen, or maybe even the bathroom? Consider all of their actions, from their fidgeting to their manners. This exercise can be a great way to get to know your characters, as their daily actions may impact their decisions within your story.

Writing tip

Looking for New Ideas?

Consider some of the sacrifices and changes you’ve had to make over the last few months. It could be only seeing your friends via an online chat forum, wearing a mask on public transport or only leaving the house once a day. Once you have a list of these, consider a genre of your choice. This could be any or a mixture of both. When you have decided on the genre/genres you wish to write about, have a look at your changes/sacrifices and try to write a scene in that genre. For example:

If you were writing a crime/thriller novel, your friend might think they’ve left the online chatroom when they haven’t and a crime is committed for the reader to witness?

Perhaps a man in a drive-thru has fallen for the barista who gives him his coffee on a daily commute? Maybe it was the look in their eyes, beyond the mask…

Remember, the possibilities here are endless!

Have a go yourself and see what you come up with.

Keep you close by Karen Cleveland

Keep You Close by Karen Cleveland, paperback, 400 pages, £7.99, Waterstones

This novel is about work/life balance and what happens when they intertwine. Steph works for the internal investigations department in the FBI whilst her son is finishing his studies before heading off to college/university. However it takes just one knock at the door to flip everyone’s life upside down.

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Background

During the novel there are several flashbacks of Steph’s life before the FBI. Although this information is vital to know, I found that this distracted my attention from the original plot I was trying to follow. This could have been resolved by using chapters to represent the past and present of Steph’s life. The constant change of flashbacks within chapters began to hinder the pace of the novel and ultimately my interest.

Characterisation

Cleveland can create some fantastics characters, especially in her first novel Need to KnowHowever the characters in Keep You Close needed more personality. I didn’t like a few of the main characters, particularly Steph as I felt like she had too many flaws. My favourite character was her son, however I felt like his background and personality was overlooked. This could however emphasise what Steph see and believes. Therefore questioning the readers own judgment of Steph’s son.

Prequel or sequel?

My biggest issue with Keep You Close is how it has tarnished my memory of Cleveland’s first novel. I loved Need to Know and was over the moon to find out that previous characters were in this book too. However I was crestfallen once I had read the epilogue. For this reason I would strongly advise reading this book first and then Need to Know. Otherwise, don’t read the epilogue as it made me as a reader lose hope and feel a defeatist.

If you love twists and turns regardless of characterisation then you may find this book a real head turner. You can purchase Keep You Close here.

The Switch by Beth O’Leary

The Switch By Beth O’Leary, Hardback, 323 pages, £12.99, Waterstones

Beth O’Leary’s The Switch was released on 16th April and has had a whirlwind of reviews since. The Switch is based around two female characters, Leena and Eileen. After they both go through a difficult time, they decide to switch houses for a change of scenery and to reconnect with themselves. The novel itself is split over London and the Yorkshire Dales which gives the reader a sense of urban and country life. Although this is slightly different from her previous novel, The Flatshare, there are many good qualities that run through both of her books.

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Characterisation

One element that the reader really can acknowledge with The Switch is the fullness of O’Leary’s characters. There are so many characters used, each with their own distinct personality, that it is easy for the reader to relate these characters to people they may know. I’m pretty sure every reader will have lived next to the grumpy man next door or know of a friend who is gorgeous, but has a list down to her arm of qualities a man must have. The amount of depth that O’Leary goes into with her characters is admirable, especially as every single character is so distinctive. It is clearly evident that her characterisation within The Switch is what captivates the audience and propels them through the story.

Family

The concept of family and a sense of belonging is a recurring theme that allows the reader to join Leena and Eileen’s family along the way. At times you may find yourself comparing their family to your own, as you may have shared those many bumps along the road yourself. The family unit in The Switch interprets some areas that may be perceived as unconventional and representing them as the new modern family unit. The support and union can still be seen but feels as if it has almost had a fresh lick of paint to make it seem more realistic.

Reflection

Reflection is also a significant element to the book as so many decisions are left open at the beginning of the novel. It is up to you as a reader to pick up the pieces of this family and to reconnect the dots again. By doing this however, you will begin to reflect on your own life and consider what it is that you want yourself. Admittedly, this book was read during lockdown and time for reflection seems much easier to acquire. However The Switch does make the reader question their own choices and what they define as important to them.

Overall I found this novel an uplifting read in a different way to The Flatshare. Admittedly I found the humour a lot stronger in The Flatshare, however I was looking for a laugh and I found it. The Switch on the other hand is still humorous, but has a more family focused approach. I found Eileen in this novel particularly amusing, especially through the contrast of livelihood and personalities.  I would argue that I felt like I received more closure towards the end of The Switch in comparison to O’Leary’s previous novel, as I felt that the ending was more uplifting and felt like the novel had a strong sense of purpose.

As cliché as this sounds, The Switch isn’t normally a novel I would go for but as I enjoyed The Flatshare so much, I had to give this a read. Since reading both of O’Leary’s books I feel like I have found a new author that I wouldn’t have even encountered, if I had not stepped out of my comfort zone a little. For that, Beth O’Leary, I thank you. I strongly encourage any other readers to step outside your comfort zone and do the same. Who knows, you may surprise yourself!

If anyone would like to purchase the book, I have included a link at the top of my page. Although I managed to buy this in Tesco (the closest I could get to a bookshop), I would strongly recommend purchasing the book at Waterstones through the link above. The link will locate you to a signed copy of this book. At the moment it’s the same price as a regular hardback version of The Switch (if I’d known about this, I would have totally bought this book first!).

Happy Reading!