Keep you close by Karen Cleveland

Keep You Close by Karen Cleveland, paperback, 400 pages, £7.99, Waterstones

This novel is about work/life balance and what happens when they intertwine. Steph works for the internal investigations department in the FBI whilst her son is finishing his studies before heading off to college/university. However it takes just one knock at the door to flip everyone’s life upside down.

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Background

During the novel there are several flashbacks of Steph’s life before the FBI. Although this information is vital to know, I found that this distracted my attention from the original plot I was trying to follow. This could have been resolved by using chapters to represent the past and present of Steph’s life. The constant change of flashbacks within chapters began to hinder the pace of the novel and ultimately my interest.

Characterisation

Cleveland can create some fantastics characters, especially in her first novel Need to KnowHowever the characters in Keep You Close needed more personality. I didn’t like a few of the main characters, particularly Steph as I felt like she had too many flaws. My favourite character was her son, however I felt like his background and personality was overlooked. This could however emphasise what Steph see and believes. Therefore questioning the readers own judgment of Steph’s son.

Prequel or sequel?

My biggest issue with Keep You Close is how it has tarnished my memory of Cleveland’s first novel. I loved Need to Know and was over the moon to find out that previous characters were in this book too. However I was crestfallen once I had read the epilogue. For this reason I would strongly advise reading this book first and then Need to Know. Otherwise, don’t read the epilogue as it made me as a reader lose hope and feel a defeatist.

If you love twists and turns regardless of characterisation then you may find this book a real head turner. You can purchase Keep You Close here.

The Switch by Beth O’Leary

The Switch By Beth O’Leary, Hardback, 323 pages, £12.99, Waterstones

Beth O’Leary’s The Switch was released on 16th April and has had a whirlwind of reviews since. The Switch is based around two female characters, Leena and Eileen. After they both go through a difficult time, they decide to switch houses for a change of scenery and to reconnect with themselves. The novel itself is split over London and the Yorkshire Dales which gives the reader a sense of urban and country life. Although this is slightly different from her previous novel, The Flatshare, there are many good qualities that run through both of her books.

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Characterisation

One element that the reader really can acknowledge with The Switch is the fullness of O’Leary’s characters. There are so many characters used, each with their own distinct personality, that it is easy for the reader to relate these characters to people they may know. I’m pretty sure every reader will have lived next to the grumpy man next door or know of a friend who is gorgeous, but has a list down to her arm of qualities a man must have. The amount of depth that O’Leary goes into with her characters is admirable, especially as every single character is so distinctive. It is clearly evident that her characterisation within The Switch is what captivates the audience and propels them through the story.

Family

The concept of family and a sense of belonging is a recurring theme that allows the reader to join Leena and Eileen’s family along the way. At times you may find yourself comparing their family to your own, as you may have shared those many bumps along the road yourself. The family unit in The Switch interprets some areas that may be perceived as unconventional and representing them as the new modern family unit. The support and union can still be seen but feels as if it has almost had a fresh lick of paint to make it seem more realistic.

Reflection

Reflection is also a significant element to the book as so many decisions are left open at the beginning of the novel. It is up to you as a reader to pick up the pieces of this family and to reconnect the dots again. By doing this however, you will begin to reflect on your own life and consider what it is that you want yourself. Admittedly, this book was read during lockdown and time for reflection seems much easier to acquire. However The Switch does make the reader question their own choices and what they define as important to them.

Overall I found this novel an uplifting read in a different way to The Flatshare. Admittedly I found the humour a lot stronger in The Flatshare, however I was looking for a laugh and I found it. The Switch on the other hand is still humorous, but has a more family focused approach. I found Eileen in this novel particularly amusing, especially through the contrast of livelihood and personalities.  I would argue that I felt like I received more closure towards the end of The Switch in comparison to O’Leary’s previous novel, as I felt that the ending was more uplifting and felt like the novel had a strong sense of purpose.

As cliché as this sounds, The Switch isn’t normally a novel I would go for but as I enjoyed The Flatshare so much, I had to give this a read. Since reading both of O’Leary’s books I feel like I have found a new author that I wouldn’t have even encountered, if I had not stepped out of my comfort zone a little. For that, Beth O’Leary, I thank you. I strongly encourage any other readers to step outside your comfort zone and do the same. Who knows, you may surprise yourself!

If anyone would like to purchase the book, I have included a link at the top of my page. Although I managed to buy this in Tesco (the closest I could get to a bookshop), I would strongly recommend purchasing the book at Waterstones through the link above. The link will locate you to a signed copy of this book. At the moment it’s the same price as a regular hardback version of The Switch (if I’d known about this, I would have totally bought this book first!).

Happy Reading!

How does reading benefit a writer?

How does reading benefit a writer?

We’ve all asked and heard the advice, haven’t we? How do I improve writing? Read more. The pure broadness of this answer really doesn’t sit well with me. I’m not saying it’s not correct but it’s not exactly useful either. This post will delve into this question with a little more focus on what type of reading to consider and how we will be able to use our reading to our writing advantage.

 

What do you like to write?

This is the first question you need to ask yourself. You might like to write a specific genre, ie. thriller, romance etc, or you may prefer to write for a particular audience. Are you writing for a male, female audience for example? Or do you perhaps like to write for a younger audience? Whatever your answer is to this question, this is the type of reading that will help you. If you would like to write romantic YA novel, then that is the genre you know you need to read more. By doing this, you will soon begin to acknowledge what you find gripping and therefore what your readers will find gripping. You might even discover a technique that you really despise and know definitely what NOT to do in your own work. 

 

Whether you like or dislike the book – learn from it.

Just because you did not enjoy reading a certain book, doesn’t mean that you can’t learn from it. I once read a book that was given to me as a gift. At first I thought I would enjoy it but the author kept going off track to explain the characters backgrounds. It was really annoying but I persevered and realised afterwards that my books need to be more concise and fast paced. Quick task: Have a look through your books on your bookshelf and consider what you didn’t like about them. Was it plot, the way the characters were presented to you, or was it unrealistic? Once you have done this, consider what would have made it a better read. Whatever you think the improvements should be, take that advice and include it within your own writing. Remember you have been a reader here and have been disappointed with the outcome – only you as a reader can put that right by doing so in your own writing.

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Photo by Julia M Cameron on Pexels.com

Learn from your heroes.

If you have a favourite author you jump to when you pick up a new book, consider what you like about them. You might like the author because of how they grab your attention within the first few paragraphs, or you may find their dialogue really engaging. Here is were you can learn from them. If you struggle with dialogue for example, pick a scene that your author has created the demonstrates a great conversation. Now begin to analyse what makes their writing so engaging. Is it the word choice, the action that is placed in-between the conversation or perhaps it just seems effortless? Keep this scene in front of you and then have a go at mimicking this style in a scene of your own writing. You may find that this really helps you with your dialogue, you may even think that it doesn’t sound like you – and that’s okay. That just shows that you already know your own writing style.

 

Write a book review

Writing a book review can really help you understand the main themes of a book and help you consider how these can impact your own work. Sometimes when writing it can be easy to get lost in the genre you’re writing. However if you read a book in the genre you are wanting to write, you will be able to acknowledge any underlying themes that occur in this genre. Writing a review also helps you analyse plot, pacing and characterisation in greater detail. Sometimes the author can even write in such a way that the characters take over and drive the rest of the plot forward. However it is only with writing a book review that all of the authors hard labour of writing the book can be acknowledged.

By doing all of the above, the concept of ‘read more’ seems more solidified to me. Ultimately you can interpret the answer to the original question whichever you like. However I stand by that the concept of reading more was to be subjective to a writer’s own interpretation to their chosen genre. Feel free to have a go at my suggestions and let me know if they work for you. 

The Flatshare by Beth O’Leary

The Flatshare by Beth O’Leary, paperback, 391 pages, Waterstones £5.99.

I initially picked this book up out of Tesco’s (currently 2 for £8) as I wanted a funny, happy and uplifting read and I feel that I got just that with this book.

The Flatshare is about two people who decide to share a flat at different times and days of the week. Leon is a nurse that works nightshifts and Tiffy works in publishing craft books. The novel itself reflects the point of view of both Tiffy and Leon in simultaneous chapters. Along with the character’s points of view, comes along various themes to be discovered.

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Friendship – A really strong element to this book is friendship. Although there are two main friends to the main character, the book also shows the importance of friendship in the workplace and how they can also impact our mental state and our enjoyment at work. This is reflected through both Tiffy’s work colleague Rachel and Leon’s patients Holly and Mr.Prior. All of the characters add something extra to each friendship and helps the reader relate to the characters and their experiences.

Love and Gaslighting – Gaslighting is a strong theme in this book, however (pardon the pun) it gradually comes to light for the reader, so that it doesn’t take away from the characters or plot itself. You could argue that this only enriches the characters experience.

Humour – One element that is consistent throughout this novel is humour. Part of this book’s charm is that it is so relatable to many readers that it will have you laughing both at the characters and yourself. Describing someones eyes as being as ‘brown as Lindt chocolate,’ I thought was personally genius. It strikes me as one of those novels where everything you want to say but daren’t, is said. 

After reading The Flatshare I felt it had an uplifting plot that left me with a smile on my face and a few aching stomach muscles. Once I had finished reading it, I looked up Beth O’Leary’s inspiration for the novel. After discovering that O’Leary wanted her book to be ‘a book you reach for when you need a hug,’ I could not believe how well the feeling I had experienced, matched her description.

I normally read thrillers but I wanted a change to something that was a bit more upbeat. Thinking I needed a laugh in lockdown, I gave this a try. I therefore would not say that you don’t need to read Chick Lit, in order to give this book a read. If you want to laugh, have some fun and let your hair down (if you have any!), then this is it!

You can buy this book at most supermarkets (as is her other book, The Switch, which I’ll be reviewing also) or via Waterstones, as mentioned above.

Happy Reading and stay safe!

Nine Perfect Strangers by Liane Moriarty

Nine Perfect Strangers by Liane Moriarty, Paperback, 434 pages, £8.99

From the author who provided us with the best-seller and now TV series, Big Little Lies, Moriarty has allowed readers to see the transformations of nine perfect strangers. Moriarty’s latest novel is set in a very glamorous and prestigious health resort in Australia. Tranquillum house offers its guests a 10 day transformation, however does anyone last the full 10 days?

This book is propelled forward by its fantastic characters. Each character has a relatable trait and is very easy to emphasise with. At times the pace of the novel does begin to steady as all of the characters viewpoints need to be taken into consideration. Each chapter provides a character’s viewpoint and moves the story towards another character’s point of view. This is a great tool to create in-depth characters however sometimes the pace of the novel can become a secondary element.

Throughout the novel the reader goes through a rollercoaster of emotions. We laugh, cry and feel for each character and the decisions they make in the book. Moriarty is very aware of her readership. This is emphasised more so towards the end of her novel.

Moriarty demonstrates a clear love of romance through her engagement to the reader. Similarly this also has the same impact as Brontë’s Jane Eyre. Please do not think that this is a romance novel however. Nine Perfect Strangers offers suspense and comedy throughout, so much so, that it is hard to distinguish a clear genre for this novel.

IMG_8257The biggest message from this novel would be to not judge a book by its cover. This message coincidentally also relates to my viewpoints of the novel but also to the nine perfect strangers. The more you read, the more you will realise that nothing is ever just black or white.

If you wish to buy a copy at a discount price of £6.99 you can do so here 

Sharp Objects by Gillian Flynn

Sharp Objects By Gillian Flynn, paperback, 254 pages, £7.99

All families have their secrets, but none as twisted as the Preaker family. In a town as small as Wind Gap, Camille Preaker did not realise what she was getting herself into. Sharp Objects begins with Camille Preaker returning to her hometown to cover the murder of 2 young girls for her local paper, Chicago News. Although Camille prepared herself as much as possible for the return of Wind Gap, nothing could prepare her for what she is about to discover about the murders and herself.

This novel allows the reader to view Wind Gap through the eyes of Camille. Points of view are questioned as although the reader learns about Camille’s background of Wind Gap, her approach to what happened in this town appears conventional to her. This may have a conflicting interest with the reader.410c6rsrdbl._sx303_bo1204203200_

The pace throughout the novel appears slow. The frustrations with no one telling Camille news on the murders can at time reflect the readers frustrations. It is only when Camille discovers something about her past that the pace begins to quicken as all of the pieces come together.

Flynn’s novels always involve characters with deep flaws. Although Amy’s mental state was flawed in Gone Girl to represent a psychopath, she was still a likeable character. Interestingly, there are many flawed characters throughout Sharp Objects. This could emphasise the harsh reality of Wind Gap, as nothing is as perfect as it seems. However this could also demonstrate a variety of potential murderers with motives. Interestingly the only character without a flaw is Marian. It is clear that the lack of flaw has been created on purpose however the way in which Flynn has characterised Sharp Objects is a skill in itself.

Sharp Objects would appeal to previous readers of Gillian Flynn, as well as people who like to challenge conventions. The disturbing reality of what appears to be a perfect town appears to be the most conflicting read. The twists and turns in this novel are similar to Paula Hawkins Into the Water as the twists occur right until the last word.

If you are intrigued to discover Wind Gap for yourself then you can buy Sharp Objects here.

However just remember that Curry and his wife won’t be coming to get you.

The Death of Mrs.Westaway

The Death of Mrs.Westaway by Ruth Ware, 400 Pages, paperback, £8.99 at Waterstones.

Get out while you still can. Ruth Ware has created a thrilling house with even darker secrets. The Death of Mrs. Westaway begins with Hal and a mysterious inheritance to someone she has never heard of. Pretending all is well, she returns to the estate and realised that this is more than she bargained for.

The pace in this novel is well thought out. It begins rather fast paced, with the introduction to Hal and her need to escape. After the first meeting with the lawyer Mr.Treswick, the novel seemed to slow a little. However this allows the reader to come to terms with what is happening and to explore the grounds and the rest of the characters with Hal. From this point on, the pace continues to build, leaving the reader with sleepless nights of reading.

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The plot itself plays to Ware’s strengths as her style cannot be unacknowledged in the plot. Ware’s writing style tends to be located in a location that holds memories and secrets that are carefully revealed one by one. The Death of Mrs.Westaway tends to be the most focused towards a mystery novel, with Hal and the reader being the detective. With this being said, this mystery brings the traditional victorian mystery into the contemporary here and now. Therefore do not expect a predictable read with this book. Whilst you are reading one part, Ware is tweaking with something else in the background.

There is some very significant influences to this novel that are very hard to ignore. The past location of Ezra and the estate itself, are strong influences of Daphne Du Maurie’s Rebecca. Throughout the novel the similarities are uncanny. However Ruth Ware makes sure that you don’t read the same novel twice. 

Furthermore superstition also plays a key part in the novel, from tarot cards to magpies that swarm the grounds. This could challenge the reader’s beliefs of what is believed and what is fact. It is this concept that is consistently returned to when trying to uncover the secrets throughout the novel. What are the facts and what is it that you want to believe?

The Death of Mrs.Westaway is a perfect choice for readers who loved Rebecca or are curious about superstition. However if you enjoy a good mystery but would wish they kept you guessing, then again, you’re looking at your next read.

If you are still not entranced by this novel then, through the words of Mrs.Warren Get out while you still can.

Although we already know what you are going to read next, don’t we?

To buy The Death of Mrs. Westaway in hardback click hereThe Death of Mrs.Westaway is available to pre order in paperback.

Rebecca By Daphne Du Maurier

Rebecca by Daphne Du Maurier, 448 pages, paperback, £6.99, Waterstones.

‘Last night I dreamt I went to Manderley again.’

Daphne Du Maurier’s most iconic novel begins in one of the most famous houses of all. Manderley. A sudden flashback to the house brings a sense of intrigue as the reader begins to follow the future Mrs. De Winter in Monte Carlo. However it is only when  Mrs. De Winter gets to Manderley that she realises that all is not what it seems at this enchanting place.Screen Shot 2018-09-02 at 11.58.04

Daphne Du Maurier demonstrates descriptive language at its finest whilst balancing the drama perfectly amongst the dialogue. After reading this novel I can see elements of modern literature that has taken certain aspects of this novel into their own. The concept of the pensive in Harry Potter is similar to Du Maurier’s interpretations of memory. Furthermore with certain characters within the novel, it is a little more of a coincidence that Gillian Flynn’s Gone Girl takes a similar approach in characterisation.

Reflecting back on Rebecca, Daphne Du Maurier appears to have been one of the first influential female writer’s to have written a psychological thriller. Yes, Mary Shelly’s Frankenstein is a close second, however I would suggest that this takes a more horrific approach as opposed to a psychological view. The closest I have seen writing as similar as this would be Charlotte Perkins-Gilman’s The Yellow Wallpaper. Sadly this is just a novella, however if you have enjoyed this read previously then Rebecca is the book for you.

Du Maurier’s novel has a strong focus on identification of the self. Her writing shows elements of the beauty myth to emphasise self identity, through becoming the new wife of Mr. De Winter and the new owner of Manderley. It appears as if the main character is in a world where she is being told how to be, that she must break all of these barriers in order to find herself and her courage along the way.

I would suggest this novel to everyone purely because I do not feel that this novel is solely for men, women or children. Rebecca could be casted as a coming of age novel as the main character is trying to find themselves within the world. However if you like thrillers, in particular a psychological one, then again this is a must.

If anyone has already read this please let me know your thoughts. After all, everyone’s views of Manderley are different.

You can buy Rebecca here. Best of Reading.

The Girl Before by JP Delaney

The Girl Before by JP Delaney, 441 Pages, Paperback, £6.99

JP Delaney’s The Girl Before is a modern thriller set in a pristine house with a hefty price for its tenants. Each tenant must follow a certain amount of rules to maintain living in such a prestigous place. However if you had heard of a mysterious death in the house, would it still seem as desirable?Screen Shot 2018-08-03 at 17.52.58

Delaney’s novel follows the journey of two tenants at separate times. Will both of their journeys end the same way like their repetitive beginning or differ through their thoughts, opinions and beliefs.

Delaney has used her craft in this novel to create strong characters to withhold the house and the journey. Flaws have carefully been considered in each and every character, including those of minor roles.

The reader becomes at one with the house as the reader is made to feel as if they are looking into the situations and scenarios, similarly as if you were playing Cluedo.

The Girl Before is a novel that you have to make your own mind on but if you are intrigued by this review then perhaps this book is for you…

Have a sneak peak here.

The Girl in the Tower by Katherine Arden

The Girl in the Tower by Katherine Arden, Hardback, £12.99 at Waterstones.

The Girl in the Tower continues Arden’s first novel, The Bear and the Nightingale, by revealing page by page, what happens to the beloved Vasya. This novel seamlessly follows Vasya on her travels to finding her family and herself.

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In The Girl in the Tower, the reader is given an insight into Moscow and its current struggles. As if power struggles and potential war wasn’t bad enough, traceless bandits are beginning to steal daughters from quiet nearby villages. This novel also gives its readers an insight into the life of Vasya’s other family members, Sasha and Olga. With everyones viewpoints beginning to clash, conflicts begin to rise, as does your reading pace.

The Girl in the Tower remains set in medieval Russia and clearly demonstrates Russian tradition and folklore. Katherine Arden has twisted these concrete concepts with a significant relation to feminism. It is because of this that the novel seems so fresh and current, regardless of its setting.

To conclude, The Girl in the Tower is fast-paced and flows seamlessly from the first novel in the Winternight series. Feminism is embedded throughout the novel, demonstrating current views into a medieval time. I thoroughly enjoyed this novel and it has left me wanting more. Closure is given however it does not stop you wanting to read the next one asap! The end of The Girl in the Tower is very fast-paced and gives the impression that the third novel will have a significant beginning.

You can pre-order the paperback here or you can order it from Amazon for the Kindle.